FotoFreo Workshop Hollywood Fashion 31st March 6.30pm – 9pm

10 02 2010

Hollywood Portrait Lighting: Classic Shots with David Woolley

Wednesday 31st March 6.30pm – 9pm
The Burlesque Lounge 267 William St Northbridge

Price: Mates Rate $125 Unregistered $150

In this Hollywood Glamour Lighting workshop, David Woolley will demonstrate the approaches taken when looking to photograph and capture the essence of a Hollywood style portrait.

Learn how to light, pose, and communicate with your models to get the desired results. Then take the opportunity to practice these techniques photographing in the studio under David’s and your own creative direction.

Topics covered:

* Photographing and working with models
* Tungsten versus Flash
* Studio lighting techniques for Hollywood style portraits
* Key lighting styles include – Paramount “Loop” and Rembrandt
* Fill lights and Kickers how and where to use them

David Woolley is a product of the digital age and while always interested in photography it wasn’t until Digital camera technology hit it’s stride that his interest became more than just that. David attended the Douglas Kirkland workshop at FotoFreo in 2006 where his passion for photography was truly ignited and his artistic ideas and concepts became a photographic realisation. David became a professional photographer in September 2008 and has a passion for Vintage and Retro style Photography from the 1920s-1950’s, including Burlesque, Classic Pinup, Fashion, Glamour, Fetish, Swimsuit, and Lingerie.

Website: www.davidwoolley.com.au/

To book go to FotoFreo Website





There has never been a better time to update that wornout tripod.

9 02 2010

During the month of February Team Digital, Manfrotto, and Gitzo are running super specials on their range.
Some of these specials are listed below.

Normally $ 590.00 now at Team Digital $ 500.00





True North Team Digital Photo Comp extended to Thursday

2 02 2010

From Christian re Comp
Hi all, you need to get your photos in for this comp by Thursday, I have extended the deadline!, I can do that because I’m collecting in the photos and also happen to be moving house this week and have next to no time to do anything. So get the images in asap, you have 3 days then it will be voted on. Remember the prize is a free Manfrotto tripod worth around $600. There haven’t been too many entries so the chances of winning are huge.

Good Luck





Apple announces iPad

27 01 2010

But what will it mean to the Digital Imaging world. Well that not exactly clear at the moment, but at this stage we can confirm that there is adapters suitable for digital camera. Which mean we can use the iPad to download images/video onto and perhaps even use it to view a live feed from a camera etc. Time will tell.





February Promotions at Team Digital

27 01 2010

We have a some promotions starting now and running through to the 28th February.
There has never been a better time to get into
Manfrotto/Gitzo Tripods and Heads
Niks Software
and Colour management from Datacolor Spyder

All at great prices for a limited time.






Canon 1DMkIV sports review

20 01 2010

Our thanks to Tony McDonough for reviewing the new Canon 1DMkIV at this years Hopman Cup. This is what he has to say.

Tennis is a challenging sport, and I have a great respect for those photographers who can actually shoot it. The ball travels at close to 200 km/hr. and the lighting (at least in Perth is pretty low-indoors ) as if that isn’t enough, there are lots of unpredictable movements as the players endeavour to return the ball; a perfect sport to try out Canon’s new Mk IV.
I picked up the Team Digital test camera, early on a Monday morning.
I was intending to do an assignment shoot with this camera. that is not tell you the weight, frames per second etc. If you need those numbers then the Canon web site has that information. I wanted to see how the camera would work for me; how it handled the mixed lighting of a stadium; if the focus works in the real world; and to get some real images, not lit with a strobe; and how the focus holds up at 2.8.

The first thing was to set the camera up to shoot – focus, ISO etc.
Wrong. The match started pretty much as I arrived at the venue so no time to do anything really, I set the ISO to 1600 as I was sitting down.
Shooting at 1600 was a boon I even tried pushing it to 2500 ( I usually try to keep to 1250 ISO).

I also set the camera to shoot Raw, because I wanted to see the files as they where shot, without the cleaning a jpg file would have given me.

My first impression of the camera was that it felt good to hold, solid. It seemed a little larger than the Mk III but not too much. The dials and buttons are in the same places, or if not the same then close by.

The focus, from what I could feel and see did seem to be quicker and more “determined” than my old Mk III, which for today was relegated to back-up.

The colour balance was on auto, and all of the other setting where not changed.

I didn’t micro adjust my lenses, or play with the menu (especially the focus page) I just left it as is, but I did shoot on manual .

I shot static serves, backhands, forehands, and the occasional lunging dive, although the focus didn’t keep up with some of the more erratic dives, but to be fair most if not all cameras would have the same problem. In fact to give an idea of how fast the action is there is movement at 1/1000 of a second in most frames.

First off, I had a higher percentage of sharp images compared to the Mk III, yes I know all about the MkIII problems, but my camera has never had those issues. Yes it was an early model, and it has had all the firmware upgrades and mirror-box fixed, and to date it is still a good performing camera, but even so the Mk IV just seemed more confident and sure footed when it came to focus.

(A word of warning though, the Mk IV is a camera, it will not save you if your technique is wrong. You still need to put in your fair share of work if you want the results. Believe me I learnt this the hard way with another camera when I was younger).

After covering the women’s singles I raced back to my laptop and started down-loading. Then, the much harder, much faster, men’s singles.

The results were everything Canon said they would be the 1600 ISO looked closer to an 800 ISO and the 2500 looks like the older 1600 ISO. I found the files looked strong and even sharpening in Bridge didn’t seem to detract from their pleasing look. Although someone showed me a file from another camera and that file looked much smoother, which confused me for a while, then I realized – we were comparing a jpg file (other make) to my raw canon file. I assume that if I had shot jpgs, the noise reduction stuff or whatever they use, would have kicked in and given a similar result, unfortunately I had deadlines and I couldn’t test my theory.

Going to higher ISO’s the obvious happens, more noise, but still usable, even at the top end of the scale: there was noise in the shadows and blacks but it also looked like it would clean up with something like Noise Ninja certainly very usable in newspapers.

The file size helped as well. Having 16 Megapixels sure helps when you need to crop an image.

I think given time to sort out the camera for my “style” the Mk IV would perform a bit better , but straight out of the box it kept up with a fairly rigorous workout.

What do I think of it as a working camera ? I have a budget to buy one as soon as stock arrives.

I must thank Canon and Team Digital for helping and getting the camera to me.

Our thanks again Tony we will let you know as soon your 1D arrives.





The clever people at Epson

15 01 2010

The clever people at Epson have just released a firmware update for the P-6000 and P-7000 multiviewers. What it does is allow you to connect your camera directly to the viewer, then send and view images on the viewer ( in short tethered shooting). This has a few advantages one being able to view the images on a larger screen, you can still also get a histogram and exif data displayed. The second advantage is you can have files backed up on the viewer and on the cameras memory card.
We tested it on the Canon 7D and it worked like a charm. taking about 5 sec to download. So if you have a Epson P-6000 or P-7000 you download the update from this link

If you are wanting a cheaper alternative we have tested the new Memory Kick Si media centre. It’s a little more compact and a larger capacity 250Gb $ 450.00 and 500Gb $ 660.00 now in stock.





Latest Second Hand Listings

14 01 2010

Nikon D3 Body $ 3590.00
Good Condition complete with box
Nikon 17/35 F2.8 $ 1450.00
Good Condition complete with box
Nikon 135mm F2.0 Defocus $ 1250.00
Excellent Condition
Nikon D200 Body $ 1200.00
Includes Grip good condition
Nikon 12/24 F4.0 $ 990.00
Good Condition
Canon 1DMkIII body $ 3250.00
Condition complete with box
Canon 70/200 f2.8 IS $ 1590.00
Good Condition
Canon 300mm F2.8 IS $ 4500.00
Complete in excellent condition just over 18 months old
Hasselblad Xpan kit $ 1200.00
Complete with 45mm f4.0





Light Fantastic 2010

12 01 2010

Dale Neill and Nick Melidonis, in collaboration with UWA Extension, the City of Fremantle, Team Digital and Camera Electronic present a fabulous line-up of photographic talent for Light Fantastic 2010- Australian Geo shooter and magazine editor Nick Rains – Leading professional glamour photographer Garry Sarre – Wildlife photographer Dennis Glennon - Aerial photographer Jon Davison. A trio of Outback shooters, Nigel Gaunt, David Bettini and Frank Richardson show you how they capture the wild beauty of the Pilbara and Kimberley. Nick Melidonis shows you how to unleash the vast power of Adobe Photoshop Lightroom 2 to organise and enhance your images. Dale Neill reveals how you can make a portrait come alive using water as a medium and his session Pleasure and Profit will answer the perennial enthusiast’s question ‘How can I make my photography pay?’. Running side by side with the Expo are the Photographic Competition and Awards, only open to Light Fantastic participants. Dont miss this premier photographic event!

There is no better way to start your creative journey in 2010 than by experiencing Light Fantastic.

To enrol click here





Jerry heading back to Team Digital

12 01 2010

Last year Team Digital hosted Jerry Courvoisier’s Lightroom Workshop which was extremely rewarding for all who attended. And we are very pleased to have Jerry back to give us more insight into the power of Lightroom.
THIS UNIQUE “HANDS-ON” INTENSIVE TWO-DAY WORKSHOP
ensures a smooth application experience with emphasis on learning to download, organize, manage,develop, and present digital photography using your own laptop (PC or Mac).
JERRY EMPHASIZES USING LIGHTROOM
to its fullest potential and shares his recommendations and strategies for making clear decisions based on how Lightroom benefits each participant’s personal approach and workflow needs. Under Jerry’s expert guidance, participants come to see why Lightroom puts deliberate focus on the word “speed,” for this program allows photographers to spend less time in front of their computers and more time behind their cameras.
For more information and online registration visit
www.jerrycourvoisier.com